What type of a child was Lucy? He imagines that it is a point of relief and peace for him if someone near and dear becomes a part of nature after hisfher death. We see the speaker's realization not only that this young woman has died, but also that bad things can happen in a beautiful world. At the end of the poem he is glad to take this new memory with him. By narrating the story of immortal Lucy, he appreciates the fearlessness from the death which is the root cause of all the human sorrows and worries. She does not feel the earthly time and earthly years have become timeless for her. Our total response is not one of paralyzing grief as we realize that the beloved is dead. In only eight lines, Wordsworth conveys, with absolute conviction, intensity and compression, the whole of the human situation posed in 'Three Years She Grew', and the whole of the concept of Lucy as integrated with nature.
William Wordsworth: A Poetic Life. Denotation and Connotation In literary works, we find it a common practice with writers to deviate from the dictionary meanings of words to create fresher ideas and images. On the basis of reading this poem, how would you describe William Wordsworth? A Slumber Did My Spirit Seal by William Wordsworth: Summary and Analysis 'A Slumber Did My Spirit Seal' is the greatest of the Lucy poems composed by William Wordsworth and probably one of the greatest in the English language. GradeSaver, 17 November 2007 Web. . A the death of a loved one B the birth of a loved one C the wedding of a loved one D all of the above Ans.
यह उसकी आत्मा को कैसे जड़ कर देता और उसे क्या चीज राहत और शांति प्रदान करती है, इस कविता का विषय है? She is always a being connected to nature, and the narrator slumbers because his understanding of Lucy is not conscious. It might not suit all music tastes, however I believe it makes the poem justice with its Gothic darkness, for the poem is quite dark itself:. However, she represents a state of consciousness and exists within the poem as part of the narrator's consciousness. Equally important in the poetic life of Wordsworth was his 1795 meeting with the poet. The narrator's response to her death lacks bitterness or emptiness; and instead takes consolation from the fact that she is now beyond life's trials: No motion has she now, no force; She neither hears nor sees; Rolled round in earth's diurnal course, With rocks, and stones, and trees.
The keynote of this poem is immortality. She has no sense of feeling any human emotions. And yes, the poem can certainly be made to fit this reading. Wordsworth's mother died when he was eight—this experience shapes much of his later work. We do not know who this Lucy Gray was. Lucy seemed to be someone who could never grow old.
In the first stanza the speaker is innocently unaware that age can touch the woman, but he is quickly taught a harsh lesson when she dies between stanzas one and two. Time has no effect upon her. She is nothing; she sees nothing, she hears nothing, she cannot herself move, she is beyond time, unchangeable, eternal. What he means by human fears is suggested in the last two lines of the first stanza; the use of the colon after fears indicates that the clause that follows will amplify or explain the preceding clause. After Hawkshead, Wordsworth studied at St. Death is the essence of the second stanza, and the merest suggestion of it in the first line of the poem becomes a dominant reality in the second stanza. In the last two lines the speaker describes the young woman trapped beneath the surface of the earth.
The poet says that when Lucy was living, he was so lovely, fresh and full of vitality that he could never for a moment think that she will ever die. It is as though he can grasp the whole meaning of death only part by part: grasping the whole all at once would be overwhelming. The diction, likewise, is simple, except for the word 'diurnal', which contrasts with those around it and helps to lay stress on the heavy, blow-like rhythm of the final line, where both the finality of the poet's loss and the totality of Lucy's absorption are reinforced by the rhythm. Most probably, in some gloomier moment he had fancied the moment when his sister might die. She is not even a violet or a star; she is nothing as tangible or visible even as those two inhuman objects. All of this has been done to us through the eight short lines of a simple lyric—but a lyric of great compression producing a response of great intensity.
Sometimes this can lead us in surprising directions. His beloved has no human fear as she is unaffected of pain, sorrow or worries of life. While the poems themselves are some of the most influential in Western literature, it is the preface to the second edition that remains one of the most important testaments to a poet's views on both his craft and his place in the world. The eerie, cryptic atmosphere created by the description serves to show the pain and agony that the author was suffering when writing the poem, which may also be the reason why he does not address the matter directly. How does the poet think when he thinks about her death? Or does he see her now as a part of nature? We are familiar with the meanings of the words used in the last line of the second : rock, stone, and tree. What does Lucy move with A rocks B stones C trees D all of the above Ans.
Very Short Answer Type Important Questions Additional Very Short Answer Type Questions 1. Maybe he wants to make it very clear that she is now as inanimate and lifeless as rocks are, for trees are inanimate but they are alive. Wordsworth had experienced some harsh realities of life like French Revolution, War between France and England etc; hence this poem holds the spirit of Escapism from the city life to the elemental nature which, for the poet, is an ideal place. She is senseless and has become a part of nature. As such, the poems are most likely not about Dorothy but just a continuation of a theme in general.
A a joke B a victory C a slumber D a prize Ans. Paradoxically, although she has no motion, she is rolled round. New York: Fordham University Press, 1997. Neither you, nor the coeditors you shared it with will be able to recover it again. Wordsworth, whether genuinely or imaginatively, loved this girl very much. He comments on how much the memory of his first visit heartened him in his darker moments over the last five years, and looks forward to bringing this new memory with him into the future.
Symbolism Emotion Nature Symbolism Symbolism allows the reader to infer on their own meaning of what the author is trying to portray. Writers, therefore, deviate from the denotative meanings of words to create fresh ideas and images that add deeper levels of meanings to common and ordinary words. It means that she is dead now. She is blind and deaf--wholly incapable of taking in the world around her. That is, Lucy has been absorbed into nature.